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GERMANY TOUR: SPRING 1966

 

Setting out for our 8-week long German Tour in May 1966 aboard an old red battered graffiti strewn transit van driven by our license-less roadie Danny, we were about to follow the path pioneered two or three years earlier by The Beatles and [among many other unsung Scottish bands] Alex Harvey and his Soul Band. The route through France, Belgium to the border town of Aachan was selected as a result of the intelligence presented to us from our manager having been informed that the Germans were quite lax with their passport checks on this route. This would be a major requirement as I for one, had none. The information we had been given proved to be correct. [Hallo, vielen Dank an meine deutschen Besucher meiner Seite. Ich wäre dankbar für alle Fotos, die Sie mir von den Vereinen/Personen zur Verfügung stellen könnten, gegen die wir 1966 gespielt haben. Kiel, Dortmund, Schleswig und Lüneburg. Danke, Eddie]

 

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THE STAR PALAST, KIEL, GERMANY 1966

The Star Palast

Kiel, Germany

The Stage

THE HI FI COMBO - THE STAR PALAST, SCHLEISWIG,, GERMANY 1966

The Star Club

Luneburg, Germany

The Hi-Fi Combo performing

fTHE HI FI COMBO - THE STAR PALAST, KIEL,, GERMANY 1966
THE HI FI COMBO - THE STAR CLUB, LUNEBURG, GERMANY 1966

The Star Palast

Kiel, Germany

Front Entrance . . 'er, at night

The Star Club

Luneburg, Germany

The Hi-Fi Combo going on-stage

THE STAR PALAST

[KIEL, GERMANY]

 

Travelling via France and Belgium, through Aachen and north-east to Schleswig-Holstein we opened our tour in the city of  Kiel just north of Hamburg which at that time was still very much a US naval base. We were allocated some cold damp rooms under the club which was actually an old converted Cinema. Called the Kiel Star Palast, the club was owned by a guy called Manfred Woittalla who promoted his own dancing girls called the Amstel Dancers. Many big names - and small names which would later turn out to be big names - played the club at around the same time as we were there or shortly after, such as Bill Haley & His Comets who took to the stage just weeks after we moved on to the Luneburg Star Palast gig, Jerry Lee Lewis, Lord Sutch, The ‘N Betweens [Slade], Paul Raven [Garry Glitter], the Boston Showband, Jimi Hendrix etc. . We were contracted to work daily from 8pm till 4am. There were two bands trading alternate hours, ourselves and the English group Tommy Bishop & The Riccochets.

                                                                                                                          *    *    *

Nearby was the Todendorf U.S. Base. During off duty time, these guys certainly loved to drink, party and fight in equal measure and did just that. I mean, what else was there for them to do?  However, usually the night went well. One special musical memory I have of a night in the company of those guys was when we were playing our smoky instrumental version of Summertime with I would take the solo. This was a slow bluesy number on the ‘B’ side of You Send Me by Sam Cooke c/w with dreamy Hammond organ. Suddenly a singer named Davy Jones  began singing the song over the house P.A. with The Hi-Fi Combo backing him. Magic memory. I later found out that he was a big name around Germany in the early 60's and all the wee new bands - even The Beatles - were obliged to back him when they were in town. See photo of Davy with The Silver Beatles.

 

 

 

 

                                                                                                                     

 

Our contract stipulated that we play on stage in the Star Palast clubs each evening from 9pm until 3am along with Tommy Bishop's Riccochets, playing one hour on and one hour off [see pic of Tommy below]. We were never really able to mix with Tommy and the guys as we were 'on' when they were 'off' etc. and of course we always had plenty to keep us occupied. Another group I recall advertised alongside us  - in Luneburg I believe - was one called The Boston Show band. I actually think we played matinees as well, or at least I do remember returning straight to the stage from awakening in the afternoon to rehearse. The Star Palast stage backdrop at the time, which I remembered well was of a New York skyline at night scene. [see pic above I managed to come across online recently - which was a thrill for me]

 

Those long hours performing on stage certainly knocked the band into shape and there is no doubt that the group produced an excellent live show. This was a result of Dick producing such a powerful driving back beat, Tommy’s falsetto being ideal for the Motown sound we were striving for, Andy’s thumping bass and fun antics on stage, quiet man Kenny’s outstanding lead work with his new state of the art Gibson “fuzz box” and my backing vocals and thick organ chords filling in any gaps in the sound. The Hi-Fi Combo are pictured above on stage. On our return to the cheap digs under the Club at 3am, Danny usually had prepared our 'meal' of 5 small glasses of milk and 5 jam sandwiches, being all that we could afford until pay day. At other times we would stroll down to a local pub for a delicious hot meal seemingly made of leftovers from everyone else's dinner scrambled together in a pan. Thankfully I can’t remember the delicacies name . . . if you do happen to know please don't bother emailing me the details thanks. 

 

                                                                                                                      

THE GERMAN SCENE

 

I vividly remember at that time in Germany everything could be obtained from vending machines if you had German money - Marks - including cream cakes, and I would stand staring at them whilst drooling. I can't recall ever having any money during my time with the band, but I do remember that the exchange then was 10 marks to the pound so I must have had some occasionally. Oh by the way, I did smoke cigarettes for only one year during my whole life - this was the year.

 

I also recall vividly that the shops and staff were very hygienic and also that the German youngsters, especially the girls, were always very respectful and appreciative of all the British bands. This was indubitably as a result of the success of the Beatles - who incidentally, that week, July 1966, were playing and on TV at the Krone Club just a few miles hundred miles down the road from us in Munich as part of their final World tour.  So our claim to fame is that The Hi Fi Combo played Germany on the very same night The Beatles did . . how about that . . we always did wonder why we were unusually quiet that night. Incidentally, contrary to what you may have read elsewhere - the Beatles did not invent horseplay and pranks on stage. Speak to any group who toured Germany, whether British or American, and they will tell you the same. We were all involved in crazy behaviour simply to combat the boredom as a result of the long hours every single day of the week. In fact The N-Betweens who followed us onto the Kiel Star Palast stage on July 7th 1966 very soon would change their name to "Slade" and you know how mad those guys were.

                                                                             

This scenario pretty well repeated itself in each of the other 3 Towns apart from Kiel in which  we worked so I will refrain from revisiting old ground here. However I will provide a fleeting overview of my memories of the places.

 

Schleiswig: ...... The Stampfmule Club: The ancient town north east of Kiel [almost on the border with Denmark] was a really lovely place sitting on a beautiful fiord. I would go for long walks along the waterside alone and speak with the locals. Schleswig was undoubtedly my favourite town of the four in which I performed.

 

Luneburg: ...... The Star Palast: back down to the south west had been famous for it's salt mining in days gone by, and its streets were lined by beautiful buildings.

 

Dortmund: ....... I'm ashamed to say I remember very little about Dortmund - or even the name of the Club - as I very seldom ventured out, which I believe was due to homesickness by that time. I was forever borrowing one of the lads' transistor radios and enjoyed time alone listening to any English speaking station I could find broadcasting pop music.

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A particular favourite which I personally identified with was Bob Dylans'  Like a Rolling Stone recalling, as I write, that roaring Gary Hudson Hammond organ riff with the lyric "How does it feel - to be on your own ..... like a complete unknown". That was definitely how I felt as I kept 'myself to myself' for the last few days of our German tour being now very home-sick. This I suppose was understandable as prior to the German Tour, and still just 17 years of age,  I had visited a footballing friend, Michael O'Neill from Derby, England, as a teenager, but had never been out of the UK. 

 

Summer Time  

Sam Cooke

Like a Rolling Stone : Bob Dylan - At the same time we were playing in Kiel, Germany, Bob Dylan was performing Like a Rolling Stone live somewhere else in the world with The Band. Here is that performance. Amazing.

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THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966

Tommy Bishop's Ricochets: This band played alternate hours with The Hi-Fi Combo in The Star Palast, Kiel in the Spring of 1966. The guys had recorded a song called "I Should Have Known" just 6 months earlier.

 

Record details:

"Rock'n'Roll  Revival Show (Tommy Bishop) (UK)
Midnight Train / Oh Boy

Format SG
Label & Year Decca DE 1968
Cat No. DL 25 330"

 

"Rare UK rockabilly, Tommy Bishop & the Ricochets only release. This is Tommy Bishop's band, the Ricochets, that went on to form The Rush and Tinkerbell's Fairydust, which reunited with their singer for this one-off recording. Rare German release with great eye-catchy artwork".

THE STAR PALAST, KIEL, GERMANY 1966
THE STAR PALAST, KIEL, GERMANY 1966
DAVY JONES - THE STAR PALAST, KIEL, GERMANY 1966
Davy Jones - The Silver Beatles
THE STAR PALAST, KIEL, GERMANY 1966
The Star Palast Stage
Early 1960's

Lord Sutch and The Savages play Keil Star Palast, with the famous stage backdrop that all the bands who played there will instantly recall.

THE HI FI COMBO SNAPSHOT.png
May 27th, 1967: Jimi Hendrix performs on the Star Palast stage in Kiel and relaxes in what served as our dressing rooms back then. Our sleeping quarters were just as basic.

Tommy Bishop R.I.P.
Tommy's  daughter, Jane, has advised of the sad passing of Tommy on 22nd April 2021. My condolences go to the family.  If any young person wonders exactly what the 1960’s – and that special ‘Sixties’ sound - was all about, just close your eyes and listen to this record by Tommy Bishop's Ricochets. This band personified the Sixties  sound. I was proud to have known Tommy . . . and the guys in his band . . . in a rather small way, but one that had a major impact on my life. I had just turned 18 – but had never been out of my own small town. when I arrived in Kiel, Germany with my band The Hi-Fi Combo. We, along with the band I always remembered as "Tommy Bishop and The Riccochets", would be one of  two bands who would be alternating on the large Kiel 'Star Palast' stage every night for the following week – from 9pm until 3am - prior to leaving for another three  gigs of one week each in other cities. Whilst we were still honing our rather laboured, new ‘Soul’ sound, Tommy and his guys had that distinctive 1960’s British pop sound going. It can be heard clearly on this great record now. With his great voice, Tommy deserved of course to have gone on to gain much bigger hit songs, however he indubitably made his mark in my life – and I’m sure his peers - back then. The family will be very proud of Tommy and they will always have his records to cherish  and that alone will mean his music will live on.
R.I.P. Tommy.
Eddie.
The Hi-Fi Combo

The family has announced that Tommy's funeral will be held on 7th May 2021. As with current arrangements, family members only will be in attendance.

Thank you to Angel Kavanagh for posting Tommy's record on YouTube:
https://www.youtube.com/watch?v=N6uoH3L2gUs&lc=UgyRfbexyvw6_vLv0uh4AaABAg.8yYCgF-YrF79Mh0G3MJlKw


 

I found this excellent article from 2018 on The Kiel Star Palast by Stefanie Doscher and tried to contact her for permission to add here. I was unable to contact her via the NDR Channel so I hope it is ok to post here.

 

STAR PALAST KIEL

By Stefanie Döscher

 

INGE HANSEN / HENRIK MAAS

 

[Back in 1965] "the music came from the record. The Beat Club is on television once a month. And then there is Radio Luxemburg. Inge Hansen also sits in front of the recipient in the evening. "My father always wondered why I did my homework for so long," she says. When the Star-Palast opened in Kiel in 1964, it was a complete novelty in the region. "With the Star-Palast, club founder Manfred Woitalla had a monopoly. There was no such thing in Kiel where live groups from all over the world performed," recalls Maaß. Most of the groups come from England, but bands from Indonesia, Scotland, Ireland and the USA also play on the legendary stage. The Star Palace is open every day. A band plays every evening.

But the idea is not new: In Hamburg, the star club there has been causing a sensation since 1962, when the Beatles played at the opening. And that is no coincidence, because Manfred Weissleder, the founder of the Star Club and Manfred Woitalla know each other. Before that, they had founded an interest group to track down young and hopeful bands in the north. However, when Woitalla decides to found a club based on a concept similar to the one from Hamburg, a legal dispute ensues, which the Kieler wins.

The club in Karlstal 42, of which there are only a few photos, becomes a crowd puller. There is black light and a disco ball floats above the dance floor. "Back then, three pieces were played and then you could talk," Inge Hansen remembers. The dancers can sit down between the pieces at small kidney-shaped tables and have a drink. Admission usually costs one mark - unless the great Jimi Hendrix is ​​on stage. "That cost five marks back then," Inge Hansen remembers.

 

Eric Clapton's band Cream also plays on the Star Palast stage. "Actually we just wanted to go dancing. But when the band started playing, we gathered around the stage. Ginger Baker, who was considered the best drummer in the world at the time, drummed around on his drums for an hour and got faster and faster. We could we didn't dance, we had to watch, "remembers Inge Hansen. "The music of the time was concentrated in the Star-Palast. And on a level that does not exist among local bands. And all of this in a club atmosphere. Today these are big stadiums," says Hendrik Maaß.

 

Henrik Maaß himself plays on the Star-Palast stage. The first time in a big band competition in 1964, which the band lost. At that time, Henry and his band members were already little celebrities in Kiel and the surrounding area, because they had caused a sensation at a band competition in the Ostseehalle.

 

The drummer had stepped out of the resonance field of his drums and the singer threw the microphone stand over. The gig was vaguely reminiscent of The Who, who were famous for destroying their guitars. "Of course we couldn't afford that," reports Maaß and laughs. After the gig, Henry and the Dukes are local celebrities. "Every organizer then booked us and hoped that we would break something and of course that didn't work," says Maaß.

The Dukes are only on stage in Woitalla's Club when there is a need. "Usually only English bands performed there. They were then booked for a month," recalls Maaß.

In the Star-Palast, Maaß is mainly a fan who is inspired. "I always stood close to the stage, then I could see what the musicians were playing, then I went home and played it back there." Only the gig by Jimi Hendrix brought him completely out of his concept: "Four weeks after the performance I couldn't touch an instrument, neither bass nor guitar. I have never seen anything like the way the guitar played - with my teeth, behind the back." During the break, between Hendrix's performances, Henry even gets an autograph from the world star - he signs on a piece of wallpaper that a friend from Maaß is tearing from the wall.

Jimi Hendrix comes back to Schleswig-Holstein one more time - in 1970 for the Fehmarn Festival . A short time later he dies. The era of the Star Palace ends with the turn of the year 1968/69. Live music is no longer popular. People prefer to hear music from the record in the disco".

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